How is violence presented in Lord of the Flies? Essay

double star oppositions Civilisation vs untamedry (breakdowns). Zoomorphism Binary oppositions Dictatorship vs country ( juxtapositions) Deaths of Simon and neandertal animalistic, savage intone, crazy behaviour when they let their temptations get the better of them. Simon and the beast? culture end of the bracingWilliam Golding explores the etymon of forcefulness with protrude his novel maestro of the Flies. He believed that every individual has the potential to bring discover their inner execration, and that every human being is flawed in their nature. Hence, he wrote a novel with an aim to employ characterisation of mankinds essential sickness, after his time spent in war. He too aimed to ch anyenge Ballantynes Coral Island. Lord of the Flies presents the helpless and unpeaceful breakdown along with devolution, of polish on the island by using important symbolism, metaphorical imagery and biblical references to reinforce this loss of humanity in this corrupt reg ime.In the exposition of the novel, we ar familiarised with the fixedting of the island which begins as a utopia for the boys, with the shimmering water. This has paradisiacal connotations, showing the island to be an obvious stead of beauty, along with the lagoon and young palm trees, which again is an idyllic distinctive for a place of bliss. However, this contrasts with the dark traits of the island to a fault being depicted which expire becoming prominent and sets the theme of emphasis in Goldings novel. The prostrate crash on the island is described as a scar, implying that the hold in left has permanently damaged the island, which was formerly un liaisoned and flawless.The give of this sc be and daunting word scar shows the ruin and damage of the situation in which the plane has come from, and so portraying untamed features. Furthermore, this reveals the background schooling to the plot the boys are evacuees from the war who watch landedon this island payabl e to a plane crash which connotes violence already. Another example of violence on the island is expressed through Goldings description of features generally associated with islands skull-like and decaying coconuts. These adjectives have oppressive connotations. Furthermore, the witch-like cry symbolises evil, and this creates appositions with the previous optimistic impression of the island, which hints to the readers that this island may not really be as magical as deemed.Another mien the theme of violence is presented across the novel, is through the binary star oppositions principally the theme of civilisation versus savagery. The established division between the two groups of boys each behave a certain aspect to society. The characters (predominantly) Ralph, porcine and Simon represent civilisation with the use of the conch to display order and control during the organised and contained meetings. On the other hand, on that point is Jack who leads his hunters (or his trib e), representing savagery. At first they work together, but disagreements presently lead to to dehumanisation of their relationships following progression from a shy lust between Jack and Ralph, to Jack trying to kill ralph towards the novels resolution. The fundamental peak of this opposition is present during the undeniable temptation of hunger, when Ralph and Piggy join the hunters as their desperation for food takes over.The metaphorical imagery set by Golding of Simons shoemakers last shows the height of this violence and how the boys let the evil inner of them win. Simons allegorical role or function in the novel includes biblical insinuations. and was cover with a coat of pearls these divine allusions emphasize the violence present, as they contrast with the angelic and Christ-like quality of Simon, whom the savages mercilessly murdered. pursual this incident, the conch is shattered and when Piggys glasses are broken (along with the death of the fire that previously o ccurred), it foreshadows the total destruction of any possible civilisation ever returning back to the island, showing the demise but deficiency of law, order and reason in society).Hereafter, Ralph is left alone to face the savages. This all under auras Goldings ideas that humankind have evil and hatred deep inside of them, and could let the inner beast completely and violently take over if they be submissive to even a bit of temptation. The other binary opposition also prevailing in this novel isdictatorship versus democracy. This juxtaposition is also used to portray violence across the novel. For example, . Here, we can pay heed the development of the behaviour of the, as turning more and more violent as soon as they lose sight of the conch, and the sense of democracy is broken down or disoriented.Violence is presented in the novel through the very diverse deaths of both Piggy and Simon. Prior to Simons murder, the boys had been chanting Kill the beast Cut his throat Spill h is blood in complementary circles. These are powerful phrases which Golding pervades using the rule of three, to highlight the evil of this violent, tribal practice. The actions of these young boys are also atrocious and horrifying. At once, the crusade surged after it, poured down the rock, leapt on to the beast, scream, struck, bit and tore. There were no words, and no movements but the tearing of teeth and claws. These animalistic verbs have connotations of zoomorphism resonating humans with the likeness and behaviour of animals. This is also significant as humans are meant to be intelligent with the capacity for decent communication through voice communication and words.However, here, the boys are so engulfed and consumed in their bestial actions of brutality, that they have lost touch with their human sides, unable to differentiate between good and bad, that they have lost that capability to converse, and instead are resorting to un-civilised, barbaric means. Teeth and claw s are wide associated with large predators, and so by using this, Golding is showing us that once you give aside to a little violence, you can turn into a complete animal. The verb tearing demonstrating ripping human is shocking and also portrays vehemence. This violence is further emphasized through Goldings angelic description, post-death of the protagonist. was covered with a coat of pearls shows the purity reflected upon Simon, as well as the line of his cheek silvered, which has Christ-like implications. The phrase silver shape portrays a virtuous brilliancy and quality in Simon, as his dead body moved out towards the open sea, when he finally finds peace.This is also contrasted with Piggys matter-of-fact, and scientific death. Piggys arms and legs twitched, like a copper colors after it has been killed. The lexical field used is gruesome and horrific, thus again portraying the violence, long with the use of sub-vocals, zup,noise, and clamour used to counterchange language, b eing used by the boys to express and connect with each other. Piggys death had been hinted from the very start of the novel, through small incidents of violence occurring. For example, it progressed from Roger at the beginning throwing stones at the little ones, aiming to miss, to him rolling the boulder that killed Piggy. Violence had also been present when Ralph machine-gunned Piggy. Moreover, jacks violent actions of killing the pig at the start also foreshadows piggys death, as it led to him being killed in the end.Towards the novels conclusion, we are brought back to reality and reminded that these savages, are in fact just a group of painted boys. This is another way that violence is presented in the novel because we are shown that all these horrific actions in the novel, were in fact whole performed by little, once innocent children. Indeed, the violence had been so strenuous, that is had caused dehumanisation of determine and characters. For example, at the start Percival recited his name, whereas when help arrived, there was no more to come. Percival Wemys capital of Wisconsin sought in his head for an incantation that had faded clean remote. This disintegration of speech, and the fact Percival as forgotten how to speak underlines the destruction caused by the violence. The ending has a deus-ex-machina factor to it right at the peak of the violence, livery had come. The officer asks the boys what have you been doing? Having a war or something? which is ironic because they were in truth having a war. This could also be seen as a microcosm for the iciness war that had been occurring, during the time Golding wrote this novel.